The absurdity here is invigorating; it is equally astonishing and humorous to be effortlessly lulled into the spirit of horror. Lisa Frankenstein is a standout within the contemporary horror-comedy genre. Jennifer’s Body meets Hocus Pocus in this entertaining and thrill-packed re-envisioning of a reanimation tale.
Directed by Valhalla Williams, developed by Diablo Cody (Juno, Young Adult) in the author’s first picture, together with remarkable harmonization of wonderful characters and topical conflicts. The plot follows Lisa, a teenage girl who does not intend to breathe life into a Victorian-style carving, all the while her parents have their own goals. Lisa’s relationships with her friends evolve chaotically, combing the rush of teenage melancholy with late-night misadventures that pay homage to the slasher films of the 1980s.
Lisa Frankenstein: An Introduction
The misfit Frankenstein-themed monster horror-comedy of Lisa Frankenstein once again bids for the attention of audiences. Clyde Williams is the one who directed it, and its plot is from the mind of Diablo Cody. Simply put, it’s a story about a young girl who manages to resurrect a Victorian corpse and clean it up to attend a prom. This resuscitated corpse is an “unusual” love interest, which just completes the love triangle between the victorian girl and a girl from a wispy modern prom. Primarily, it’s a horror flick set in a Victorian era but describes a modern romance.
Plot Summary
The story follows a high school student named Lisa Swallows, whose single mother has just died. Living in a cemetery is one of her memories and how she spends her spare time. It was during one of these visits that a long-dead pianist was resurrected by a bolt of lightning. At first, worried and frightened, Lisa comes to understand that the “Creature” is not a monster but potential companion that she decides to stash away inside her house.
See Lisa Frankenstein’s cast here

In this film, the characters are well-developed by the cast through a blend of horror and humor. The Victorian “Creature” is portrayed by Cole Sprouse while Kathryn Newton takes up the role of Lisa. Other main characters include Liza Soberano who is Taffy, who is Lisa’s caring step sister, Joe Chrest playing Lisa’s dad, and Carla Gugino cast as Janet, Lisa’s bossy stepmother, and Henry Eikenberry as Michael who is Lisa’s imaginary boyfriend. These characters add detail and elegance to the unrealistic portions of the plot.
Key Themes in Lisa Frankenstein
Although reanimated bodies are rare, Lisa Frankenstein negotiates typical subjects of love, loss, and self-discovery. Lisa’s path reveals a more general yearning for acceptance and belonging, hence her relationship with the Creature represents outsider friendship.
Investigating the 1980s Scene
Even if reanimated corpses are uncommon, the film Lisa Frankenstein explores universal themes such as Jill, and her relationships with others, ie love, loss, and self-discovery. Jill’s character development embodies a broader theme of searching for love and acceptance, and her bond with the Creature signifies an amicable bond one feels for an outsider.
Lisa’s Relationship with The Creature
Despite their distinctions, the bond between Lisa and the Creature grows strong. In this engagement, Lisa is able to cope with her chronic need for validation and her loneliness. Creepy, emotionally appealing and the strange heart of the story grows when, despite her abusive family, the Creature loves Lisa.
The Exclusive Production Team of the Film

The screenplay was prepared by Diablo Cody, who is an Oscar-winning writer and a familiar face for her wry humor and sarcasm. Zelda Williams made her directorial debut with Lisa Frankenstein and proved to have a good eye for teenage angst rather than just gore. They make an interesting pair to give a different perspective in such a genre by adding elements of a good story and over-the-top horror.
Visual and Aesthetic Sounds
The film Lisa Frankenstein can be classified as a treat for the eyes and the ears bringing Joy from the fabulous colorful aesthetic and one of a kind sound design which and the audience ends up carrying with them. Haroon is also around and the audience immediately hears his voice in the song the JoJo performance of Can’t Fight this Feeling and for this reviewer it is the 80’s voices that to me doesn’t add anything and does not improve anything this retro look and the retro sound that this flick is showcasing.
Release Date and Box Office Sales
Focus Features has released the movie on February 9, 2024 where it opened to 3.8 million even dollar at the box office. The movie did not perform well at the box office and can be considered quite disappointing since it has failed to recover its production cost of over 13 million dollars however the uniqueness of the film did attract some audience. The audience didn’t see eye to eye but its creative twist in the plot made it an interesting watch in the genre.
Critical Reception and Reviews
This time she has been the hot topic with the critics because Lisa Frankenstein has gathered quite a variety of diverse reviews. Most of the movie critics were in geral praise of the film with its nostalgic touch to old horror flicks and great rest of the intelligent mix of horror and humor picture-wise and emotionally. However, some other reviewers did share some feelings that, yes, the pace of the film was inconsistent at some moments and this could sometimes hamper its narrative structure quite a bit.
As such, the film reflected that divided opinion by earning 52% on Rotten Tomatoes because of the disagreement among the critics over the movie that was a mix of diverse genre. For example, many voiced discontent over the uneven tone brought about by the genre mashup, while other reviewers appreciated the genius of artistic vision behind it. What, however, drew more focus, attention and appreciation were the electrifying chemistry of Kathryn Newton and Cole Sprouse; it was the chemistry that injected so much needed originality in their scenes. They were viewed as the highlight of the film, which is quite okay, because the film can be termed incomplete in terms of its overall production otherwise.